MATHEMATICS AND THE HUMANITIES

This course is being taught by two senior faculty members who are theorists and practitioners in disciplines as different as mathematics and literary criticism. The instructors believe that in today's world, the different ways in which theoretical mathematics and literary criticism mold the imaginations of students and scholars, should be brought together, so that the robust ethical imagination that is needed to combat the disintegration of our world can be produced. Except for the length of novels, the reading is no more than 100 pages a week.

Our general approach is to keep alive the disciplinary differences between literary/philosophical (humanities) reading and mathematical writing.  Some preliminary questions we have considered are: the survival skills of the logicist school over against the Foundational Crisis of the early 20th century; by way of Wittgenstein and others, we ask, Are mathematical objects real? Or are they linguistic conventions? We will consider the literary/philosophical use of mathematics, often by imaginative analogy; and the role of the digital imagination in the humanities: Can so-called creative work as well as mathematics be written by machines? Guest faculty from other departments will teach with us to help students and instructors understand various topics.  We will close with how a novel animates “science” in prose, stepping out of the silo of disciplinary mathematics to the arena where mathematics is considered a code-name for science: Christine Brooke-Rose’s novel Subscript.