Realisms

The seminar will explore the genealogies, key debates, and transmutations of cinematic realism: the diverse “realisms” on which it draws, and the range of meanings, uses, and abuses of the term. Questions of realism have been carried over from the traditional arts and literature, but have undergone a sea-change with the advent of photography and cinematography. While the concept of realism seemed bracketed by post-modern discourses and digital culture, the realist aspiration still haunts the cinematic imagination and the media at large. The claim to presence; the cultural conventions of mimesis and illusionism; the shifting values of document, witness, testimony; the relation of the material and the referential, of the authentic and the simulated – all ensure the continued fascination with realism in its myriad forms through our time. Traversing fiction and documentaries, mainstream and experimental forms, the seminar will consider both classical cases and challenging examples from diverse cinemas and cultural moments, and examine the political implications of realism and its capacity for transmutation and revival. Screenings will include Wyler’s Best Years of our Lives, Akerman’s Jeanne Dielman, Burnett’s Killer of Sheep, Kiarostami’s Life and Nothing More, Jia Zhangke’s The World, Leigh’s Meantime, Farocki’s Workers Leaving a Factory, and more.