Engaging on the Ground: Contemporary Tib

This 7-sess­­ion master class examines the craft of thematic expression and social engagement by filmmakers who are successfully bringing non-dominant voices to the screen and working in regions with people whose stories are rarely heard. Through film screenings, lectures, critical analysis, and Q&A with guest filmmakers, the class aims to raise awareness, foster discussion, and instruct on visual storytelling techniques that integrate themes of social change, cultural heritage, and environmental transformations in Asia today, with a special focus on the Qinghai-Tibetan Plateau in China.

The class opens by surveying the emergence and development of the Tibetan New Wave Cinema movement, represented by filmmakers such as Pema Tseden, Sonthar Gyal, Lhapal Gyal, Dukar Tserang, Khyentse Norbu, Tenzin Seldon, Khashem Gyal, and others. Together, we will examine how Tibetan filmmakers bring lived realities, identity, spiritual traditions, and social tensions to the screen. We will analyze narrative strategies, visual poetics, and the ethical responsibilities of representing communities "on the ground."

This class also explores the intersection of cinema and mindfulness. Through selected films, readings, and reflective practices, students will engage with film not only as a medium of storytelling but also as a space for introspection, contemplation, emotional awareness, and shared experience.
 Mindfulness here is not confined to meditation but understood as a broader, integrative approach to being attentive, ethical, and present at every stage of filmmaking. It is a way of honoring the people, places, and processes that make cinema meaningful.