MADE IN AMER: MAFIA IN CINEMA

In this course (whose title is taken from the name of the final episode of The Sopranos) we focus on America’s three greatest practitioners of the so-called “Mafia Movie.” In the first half of the course we examine representations of Mafia in the films of Coppola and Scorsese; in the second half, we perform a comprehensive reading of The Sopranos, a serial that redefined not only the gangster genre, but the aesthetic possibilities of television itself. In addition to our close-readings of the primary cinematic texts, we will pay attention to literary, historical, and anthropological sources on Mafia, both in America and in Italy. In the unit on The Sopranos, we will also consider connections to other contemporary representations of American gangsterism, particularly in the medium of television. Critical avenues privileged will include gender, sexuality, criminal and political economy, poetics of place, internationalism, dialect, plurilingualism and the politics of language, ethnicity and race, diaspora, philosophies of violence, philosophies of power.