BD Reportage: The Origin and Aesthetics

This course will trace the rise of “comics journalism,” a term first coined and popularized by the Maltese-American artist Joe Sacco in the 1990s. Surpassing the political or editorial cartoon in both space and scope, BD reportage is often aligned with subjective or opinion journalism, or “op-art.” It is rooted in long-form reporting, oral interviews, and embedded research—all communicated via the full arsenal of tools available in the comics medium. Like investigative journalism more broadly, graphic reporting covers the breadth of topics that affect modern life: from on-going wars and conflicts, to mass migration and the immigrant experience, to environmental disasters, trial reporting, the prison industrial-complex, and so on. Often approached as a predominately American phenomenon, practiced by first and foremost by Sacco himself, it is an increasingly dominant subgenre of French-language comics, as can be seen in the runaway success of Le photographe (2003-2006)—artist Emmanuel Guibert’s stunning, multi-album collaboration with the late photojournalist Didier Lefèvre, about the latter’s 1986 humanitarian mission through Pakistan and Soviet-occupied Afghanistan during the Afghan War (1979-1989)—and in a proliferation of French-language terms and formal prizes. While glancing at a prehistory of proto-forms (like illustrated news in the UK and the US or “printed literature” in Europe), this class will reconstitute a narrower French-language lineage of graphic reporting, through early children’s supplements, wartime comics propaganda, and postwar and present-day illustrated magazines. This course also juxtaposes the work of active artist-reporters, with non-journalist illustrators whose work is adjacent to reporting. Class held in English, with primary and secondary materials in French and English. French majors and minors must submit papers in French, as must graduate students in the Department of French. This class will also involve a few class trips (TBD, likely to the Museum of the Society of Illustrators and the Rare Books and Manuscript Library), as well as at least one in-person event at the Maison Française.