Call Number | 12348 |
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Day & Time Location |
T 4:10pm-6:00pm 930 Schermerhorn Hall [SCH] |
Points | 4 |
Grading Mode | Standard |
Approvals Required | None |
Instructor | Julia Bryan-Wilson |
Type | SEMINAR |
Method of Instruction | In-Person |
Course Description | This seminar examines two intertwined propositions. One is the undisputable fact that the global HIV/AIDS pandemic is ongoing and that the disease continues to shape the way artists and activists grapple with public health, national policy, and medical injustice. The other is my own polemic-in-formation, which is that the eruption of AIDS in the 1980s was the threshold event that inaugurated what is now understood to be “the contemporary” within the art world. Rather than periodize the start of “the contemporary” with the 1989 fall of the Berlin Wall, as has become conventional, we will investigate how the AIDS crisis precipitated a sudden urgency that more decisively marks this transition, in particular around the promiscuous inclusion of non-fine art forms such as demonstration posters, zines, and handmade quilts. We will read foundational texts on HIV/AIDS organizing and look at interventions with graphic design, wheat-pasting, ashes action protests, body maps, embroidery, performance-based die-ins, voguing, film/video, and photography. We will consider: the inextricability of queer grief, anger, love, and loss; lesbian care; the trap of visibility; spirituality and death; activist exhaustion; the role played by artists of color within ACT-UP; and dis/affinities across the US, Latin America, and South Africa. Our investigations will be bookended by two critical exhibitions, Witness: Against Our Vanishing (Artists Space, 1989) and Exposé-es (Palais de Tokyo, 2023). Authors and artists/collectives include: Aziz + Cuchar, Bambanani Women’s Group, Felicano Centurion, Douglas Crimp, Ben Cuevas, Felix Gonzalez-Torres, Darrel Ellis, fierce pussy, Elisabeth Lebovici, José Leonilson, Nicolas Moufarrege, Marlon Riggs, Matthew Wong, and the Visual AIDS archive. We will conclude with feminist, queer, and collaborative artistic work made during the (also ongoing) Covid-19 pandemic. In small groups, students will lead discussions of our texts and the final project will be a collectively curated virtual exhibition. |
Web Site | Vergil |
Department | Art History and Archaeology |
Enrollment | 0 students (12 max) as of 9:06PM Thursday, April 10, 2025 |
Subject | Art History |
Number | UN3466 |
Section | 001 |
Division | Interfaculty |
Open To | Barnard College, Columbia College, Engineering:Undergraduate, General Studies |
Note | Apply by April 9: https://forms.gle/n22fBWgViWw9ZMVL6 |
Section key | 20253AHIS3466W001 |