Fall 2025 Art History UN3466 section 001

AIDS Is Contemporary

Call Number 12348
Day & Time
Location
T 4:10pm-6:00pm
930 Schermerhorn Hall [SCH]
Points 4
Grading Mode Standard
Approvals Required None
Instructor Julia Bryan-Wilson
Type SEMINAR
Method of Instruction In-Person
Course Description

This seminar examines two intertwined propositions. One is the undisputable fact that the global HIV/AIDS pandemic is ongoing and that the disease continues to shape the way artists and activists grapple with public health, national policy, and medical injustice.  The other is my own polemic-in-formation, which is that the eruption of AIDS in the 1980s was the threshold event that inaugurated what is now understood to be “the contemporary” within the art world.  Rather than periodize the start of “the contemporary” with the 1989 fall of the Berlin Wall, as has become conventional, we will investigate how the AIDS crisis precipitated a sudden urgency that more decisively marks this transition, in particular around the promiscuous inclusion of non-fine art forms such as demonstration posters, zines, and handmade quilts.  We will read foundational texts on HIV/AIDS organizing and look at interventions with graphic design, wheat-pasting, ashes action protests, body maps, embroidery, performance-based die-ins, voguing, film/video, and photography.

We will consider: the inextricability of queer grief, anger, love, and loss; lesbian care; the trap of visibility; spirituality and death; activist exhaustion; the role played by artists of color within ACT-UP; and dis/affinities across the US, Latin America, and South Africa. Our investigations will be bookended by two critical exhibitions, Witness: Against Our Vanishing (Artists Space, 1989) and Exposé-es (Palais de Tokyo, 2023). Authors and artists/collectives include: Aziz + Cuchar, Bambanani Women’s Group, Felicano Centurion, Douglas Crimp, Ben Cuevas, Felix Gonzalez-Torres, Darrel Ellis, fierce pussy, Elisabeth Lebovici, José Leonilson, Nicolas Moufarrege, Marlon Riggs, Matthew Wong, and the Visual AIDS archive. We will conclude with feminist, queer, and collaborative artistic work made during the (also ongoing) Covid-19 pandemic.  In small groups, students will lead discussions of our texts and the final project will be a collectively curated virtual exhibition.

Web Site Vergil
Department Art History and Archaeology
Enrollment 0 students (12 max) as of 9:06PM Thursday, April 10, 2025
Subject Art History
Number UN3466
Section 001
Division Interfaculty
Open To Barnard College, Columbia College, Engineering:Undergraduate, General Studies
Note Apply by April 9: https://forms.gle/n22fBWgViWw9ZMVL6
Section key 20253AHIS3466W001